Put the Sound of a Symphony on Your Desk
A/D CONVERSION – Like Symphony I/O Mk II, Symphony Desktop’s analog-to-digital converter stage features ultra-low distortion, high-slew rate, fully differential analog op-amps plus a cutting edge A/D converter in a performance-enhancing dual-sum configuration. Create with the confidence that every nuance of your analog input is faithfully reproduced in the digital domain.
PREAMPS – At the core of the input stage, are Symphony Desktop’s mic preamps offering up to 75dB of gain. The preamp design features Apogee’s unique Advanced Stepped Gain Architecture which ensures ultra-low noise and distortion regardless of the source, from pounding kick drum to delicate fingerpicking on an acoustic guitar. With variable impedance settings on both mic and instrument inputs, Symphony Desktop optimizes the input stage to better match your specific devices, for deep lows and clear highs. Selectable Apogee Alloy preamp emulations add character, attitude and maybe a bit of grit to your recordings.
D/A CONVERSION – The digital-to-analog stage of Symphony Desktop features brand new technology that provides uncompromising Symphony DAC performance in a portable product, including a robust ultra-low distortion, high-current, fully balanced output driver. Regardless of downstream connections, Symphony Desktop delivers a transparent, widescreen window into the sonic landscape of your mix.
Symphony Desktop has two completely independent ultra low impedance headphone outputs, individually routable, both equipped with dual-sum ESS DACs. Output power range is tailored to the expected type of headphones: the front panel output can drive virtually any headphones, while the rear panel output is specifically tailored for high-efficiency headphones.